"HUMAN DEIFICATION."

• name / alias : ㅤhikawa sasakibe (雀部氷川), lady kurohime.

• age :ㅤ 19.

• pronouns :ㅤ she/her.

• species :ㅤhuman, akashic.

• birthdate :ㅤ4/15.

• divine weapon :ㅤdojikiri.

• lost instrument :ㅤonna-nusha kurohime; baptism of the mortal god.

• alignment :ㅤchaotic neutral.

• height :ㅤ162 cm.

• eyes :ㅤred.

• hair :ㅤblack, reddish inner hair.

• affiliation :ㅤprima materia (former), sasakibe clan, houtu society (the preservers).

• likes :ㅤsword collecting, arcade games, black tea, kendo and iaijutsu.

"You heard of the Black Mountain? It's one of the few places where my clan holds absolute dominance in this country. Not like it matters. I tend to stay away from all the politics in this world.""Th' name's Hikawa Sasakibe. Strongest head of the Sasakibe clan, and incidentally, a member of this organization. Though, I don't really care about the idea of "Preserving" so much as I do fighting. I like fighting strong opponents and winning. So long as I can continue my training, I don't really care who I haf'ta fight. If I can find them by fighting here, then maybe the mission is worth it. But.. Right. I guess my 'crime' or whatever is the fact I have ended the lives of my previous subordinates, and have a total disregard for life."

Divine Weapon: Dojikiri.
Rank: Mastery.

The Divine Weapon of Hikawa Sasakibe. Also known as Dojikiri Yasutsuna. A metallic sword with a pure silver hilt with an electronic ruby blade, it is fashioned to look like a standard katana. A sword designed to pierce through and cut the defenses of those it touches. There is no defending a blade that cannot be touched, aside from those that are imbued with the power of Noema. Standard weapons fall easily to its practice. Hikawa uses it daily, and abuses its ability to cut through all in order to easily dismantle and gore enemies.

skills
Fumei Iaijutsu	“Mysterious Iaijutsu”. A practice molded from a mastered form of Iaijutsu with her own unique touch. Notably, it’s her ability to pinpoint and acutely slow down her own perception to cut an object or a person multiple or numerous times. While to the outside it may seem like a simple slash, Hikawa’s movements with the blade surpass her opponent’s sights, allowing peerless swordsmanship.
Inquisitor’s Wrath	Inquisitor’s Wrath grants her the unique ability to use telekinesis without using her Noema, capable of moving objects, people, and harming them by crushing with relative ease. Because of her lack of sheer murderous intent, Hikawa herself cannot truly tap into its potential like Reimi can, as her usage of it is circumstantial at best.
Flames of Sacrifice	At the cost of her own health, Hikawa molds the essence of creation into an all piercing slash that explodes upon all who make contact with it. The target is severely burned, their soul eroding away with each moment passing.
Noema: Tomoe Gozen	A manifestation of one’s thoughts that are made physical. It is different from a Divine Weapon, as it separates itself from one’s Will, and rather, is an one manifesting an idea from their consciousness. Tomoe Gozen is always active. It transforms Dojikiri into a jagged ruby katana that looks bloodstained. The electronic ruby blade now is capable of cutting those who look directly at the blade, or who make contact with it in any shape or form. After training extensively, Hikawa’s Noema is now capable of cutting apart anything that looks at it conceptually, or even acknowledges its presence outright.

lost instrument

Onna-nusha Kurohime; Baptism of the Mortal God: Perfection ~ Undefinable

The Lost Instrument of Hikawa Sasakibe, born from the desire of “I want to become a God above Humans.” Not a desire that transforms itself into one that allows to claim dominion over all, but rather, dominion over her mortal self. Hikawa wants to become better than anyone, better than all of creation. As such, Onna-musha Kurohime releases all of the strength she holds back. Subconsciously, she was unaware of the fact she HAD a Lost Instrument. Through excessive training and overcoming the burdens that hindered her in the past, this Lost Instrument becomes active and can’t be turned off. As a result, it results in Hikawa’s perfected form, an instrument of killing and slaughter. The more she enjoys the fight and hunt of a battle, the more chaotic she becomes. As if transforming into a warrior of natural disaster, capable of even causing earthquakes and world shattering events, she will not stop until the enemy she’s fighting has become totally annihilated. This is the true form of the Mortal God that she seeks to chase after; an identity that wishes to enjoy a fight to its fullest.